The story of discovering a creative perspective in the visual arts — and how the first idea was born
Six years ago, I decided it was time to make a change in my life and step away from the family business, where I had worked consistently for 25 years. At first, after spending a few days at home without a clear direction, I decided to start painting lessons — both to fill my time and to give myself the space to think about my next professional step.
Soon after, the first lockdown began. The lessons continued at the same pace, and I suddenly had all the time I needed to devote myself to something I had loved since childhood. My engagement with painting grew so deeply that by the end of the second lockdown, I was certain this was what I wanted to pursue from then on.
What are your most important achievements so far?
With enthusiasm and new dreams, I managed to create my own space, French Fries + French Kisses project space, which functions as my studio while also hosting activities such as photoshoots, exhibitions, presentations, and small private gatherings.
Additionally, once a month, I organize workshops where participants have the opportunity to step away from their daily routine and reconnect with their creative side. The goal is simple: self-exploration and meaningful interaction with others. It is truly moving to see that a core group of participants has already formed and seems to genuinely enjoy this process. It brings me great joy.
Having now spent several years in this field, how do you feel your aesthetic is evolving?
My love for art and my need to express myself through it led me to pursue it professionally. I am committed to improving my technique, which is why I have continued taking lessons throughout these six years. I want to keep learning and evolving.
Spiritual growth is, above all, a solitary path. It requires readiness — to face truths, to understand your needs deeply, to acknowledge your mistakes, and to confront your routines. It demands fundamental changes: the courage to leave and begin again.
Growth in any field requires consistent and persistent work. As Pablo Picasso once said, “Inspiration exists, but it has to find you working.” Along my journey, I encountered many people who pushed me to grow — especially those who did not wish me well. And for that, I thank them.
You started by creating portraits with a distinct sensitivity, but recently your work has taken a different direction. Tell us about that.
I enjoy creating both portraits and abstract works, often in dialogue with each other. I call them “the outside” and “the inside.”
I am fascinated by the eyes — the gaze — and through it, the questions, wounds, traumas, and hope one carries. The lines that run across the face or through abstract compositions symbolize our paths, our thoughts, and our decisions.
My inspiration comes from my emotional world and personal experiences.
At the same time, I am interested in more “applied” forms of art that bring creativity closer to a wider audience. This has led me to design labels for wine collections, wine glasses, prints on clothing, and more.
What else is part of your creative exploration, and what can we expect next?
Since I manage and exhibit my work independently in my own space, I often collaborate with more unexpected venues to present my work — such as bars, concept stores, and hotels.
I notice that many people feel hesitant to engage with art, as if it is meant only for specific audiences. My goal is to help bring more people closer to art — especially those who don’t usually visit galleries or museums. Not because they aren’t interested, but because they haven’t been exposed to it.
In my view, if what someone sees evokes a feeling, then it has fulfilled its purpose — it has created a connection.
I believe that each of us leaves our mark on what we do, and if there is consistency and love, results will follow.
I always keep in mind a line I love from a poetry collection by Raquel Angel-Nagler (translated by Maria Efthymiou):
“With our small steps, we make the road our own.”
I love it — it feels humble, optimistic, and grounded.
What would be a challenge for you?
A challenge for me is not being afraid to try, to expose myself to the unknown, and to adapt to changing circumstances.
How easy or difficult is it to think out of the box, and what have you experienced so far?
Many times, I’ve had to see things differently, to change my mind, and to redefine what I want. This process involves pain, but also catharsis.
It is a continuous journey of growth. I try to respect whatever life brings me and to “read” what it wants to teach me—with courage and gratitude.
Decoding creativity — what is the process, and how is the inner world of the creator expressed in a work?
Creativity is something we all have; we are born with it. When someone says, “I’m not creative,” it’s simply a belief they’ve chosen about themselves.
Creativity exists in many aspects of our daily lives—it’s not limited to the arts. It gives us strength, energy, and self-awareness.
In art, it helps the creator express and communicate—two deeply human needs. For the audience, art fulfills the need for connection, admiration, awakening, and escape.
Are we what we choose?
I strongly believe we are our choices. Of course, we often find ourselves trapped in circumstances that prevent us from seeing clearly. But once we move beyond that, everything becomes easier.
That’s why I am a strong advocate for change. I have experienced it many times in my life—sometimes abruptly, sometimes after long reflection—and I’m certain that each time it brings me closer to myself.
In another life, what would you like to be?
In another life, I would be a dancer. I’m deeply moved by the demanding process and the inner struggle a dancer goes through to create that effortless feeling for the audience—“oh, I could do that too.”
One object you would never want to part with
My journal is the one thing I would never part with. It helps me organize, record, and reflect.
The last book I read was A Very Short History of the Israel–Palestine Conflict by Ilan Pappé, in an effort to better understand what is happening in that part of the world.
Three places you love returning to — and why
My favorite destination is Paris, because it’s a city I associate with love.
New York is another—where I studied—and it gives me the feeling of being at the center of the world.
And Florence, where I also studied, takes me back to culture, carefree memories, and a country that truly respects aesthetics.
An artist you love and would like to own a work by
My favorite artist is Egon Schiele. I love the passion that his work conveys.
A museum and an artwork that captured your heart
Recently, I visited the Musée du Luxembourg in Paris, where I experienced the works of Pierre Soulages. I honestly didn’t want to leave. The simplicity and intensity coexist in such perfect harmony.
Have you ever designed something for a home collection? If not, what would you create?
It’s in my immediate plans to design something for the home. I’m very drawn to art with a functional value.
Recently, I created a series of small ink-on-paper works, designed to be affordable so they can also be given as gifts instead of other objects.
“Art is a gift.”
If you were to design something for TheAuthentics.gr, what would it be?
I’m really looking forward to the piece we will create together for TheAuthentics.gr.
Photography: Christina Dimitriadou
