“The only product of art is feelings.”
— Brian Eno
The Onassis Stegi firmly believes in Brian Eno’s words, inviting us to let go and feel. A year of works to be experienced, works that leave their mark through their boldness and through all that they awaken in us. Experiences that stay with us because they unsettle us, awaken the senses and shift our inner temperature. New productions, international collaborations, new spaces, fresh perspectives on familiar works, established artists experimenting beyond their boundaries, and creators coming to Greece for the first time. A year you do not simply watch—you live.
Onassis Foundation Artistic Director Afroditi Panagiotakou says:
“What happens to us at sixteen? There, at the height of the transition towards the many selves of the future. Hormones running wild. Everything human and deeply human at its peak. Emotions intense, extreme, alive. And a certain self-doubt. And a wondering about where this changing body is going.
This is how Stegi feels at sixteen. It meets many people and chooses its true friends, raises its voice about the things that trouble it, withdraws to reflect on what torments it, and then takes to the streets again with the thirst and curiosity of adolescence—the kind that wants everything now, that wants to see the world now, that no longer wants to wait to live freely, that clashes with its parents and loses sleep, even if it does not quite know why. Simply because life itself can be overwhelming.
At sixteen, Stegi pushes back against fear, falls in love, hurts, laughs out loud, falls and, in a single moment, flies. Everything for the first time. Its body different every day: sometimes it looks at itself in the mirror and likes what it sees; at other times, it wants to change it completely.
We carry on. We live. In a state of constant transition. As if in an endless rehearsal. And fortunately, the brain continues to develop for many years after sixteen. We are only just beyond the beginning.”
The season’s programme brings together theatre, dance and music, talks, films, exhibitions and festivals, both on stage and in the digital realm, alongside a wide range of initiatives beyond Stegi itself. Advance ticket sales begin on 21 September for Friends of Stegi and on 25 September for the general public. For a third consecutive year, Sunday performances become matinees, at 2pm on the Main Stage and 5pm on the Small Stage.
Visual Arts
Find a moment of stillness amid the energy of the city with clinamen by Céleste Boursier-Mougenot, presented at Onassis Mandra from 26 September to 5 December 2026. Tune into the sound of silence across an intensely blue aquatic landscape, where hundreds of white ceramic bowls drift across three specially designed pools. Following presentations at major cultural institutions around the world, this singular work is being shown outdoors for the first time, surrendering itself to the shade, the air, the voices, sounds and echoes of Athens.
For his first monographic exhibition, at Onassis Ready from 4 April to 13 June 2027, Dimitris Papaioannou returns to the point of departure of his artistic practice: painting, drawing, connections and ideas that have shaped his visual universe. Spanning four decades of creative work, the exhibition brings together the visual practice that exists before his work on stage—the source from which it emerges, and with which it continues to interact and evolve in parallel. Within a single, expansive universe, the exhibition brings together the different facets of his interdisciplinary and interartistic practice: installations, sculptures, drawings, sketches, comics, paintings, archival material and new commissions created especially for the occasion.
Theatre
The season opens with a performance that inspires awe. Following ROHTKO and Respublika, Polish director Łukasz Twarkowski brings ORACLE to the Main Stage from 15 to 18 October 2026. An immersive theatrical universe centred on Alan Turing, the code that changed history, the birth of artificial intelligence and the darker sides of progress. Theatre, live cinema, powerful music and the real stories and biographies of people who haunt the margins of official history come together in a work that asks us to consider the cost of human transcendence and progress.
From 12 November to 13 December 2026, Robert Icke’s Oedipus returns to the Main Stage following last year’s sold-out run. London’s West End, New York’s Broadway and Athens’ Stegi are among the stops on the award-winning production by the British playwright and director, honoured with both Tony and Olivier Awards. Relentless in its intensity, sardonic in its humour and shifting between political thriller and family tragedy, the production returns with an exceptional cast, including Nikos Kouris and Maria Kehaghioglou as Oedipus and Jocasta.
From 3 to 7 March 2027, Romeo Castellucci takes the myth of Faust out of literature and turns it into body, shadow and vision, in an international co-production by Stegi. A sweeping stage experience at the limits of desire, damnation and redemption. For Castellucci, Faust is an enigma. “An unknown thing, a comedy or a clown,” as he describes it. A Faust made not from what is spoken, but from what remains unsaid.
Giannis Niarros and NYX Group create a strange laboratory simulating human life in their new production, 2B – Abduction and Observation, at the Small Stage from 11 March to 30 May 2027. In a new immersive experience on the edge of Kafkaesque farce, Niarros embodies a human subject under constant observation by three mysterious super-creature researchers. Before us, a lifetime unfolds in condensed form: birth, desire, love, ambition, decay, death—the stages of a ritual in which sound, image and sensory stimuli trigger each transformation. Soon, however, the boundaries begin to collapse, because how can you ever explain the human?
The Iliad meets football: Nikos Karathanos transforms the Main Stage into a stadium and a battlefield, turning our humble existence into myth with Epic (working title), from 10 April to 30 May 2027. A production of epic proportions, where poetry collides with battle, violence with glory, and mortals from the plains and mountains with the gods of Olympus. Maria Kavoyianni and Amalia Moutoussi, as coaches, players and village women, join an exceptional team of “footballers”—including Giannis Kotsifas and Giorgos Zygouris—alongside Karathanos and the music of Angelos Triantafyllou. They prune, tackle, sacrifice goats before a penalty, jeer, sweat through their shirts and play until they drop.
Dance
The Ballet de Marseille and (LA)HORDE come together for the first time in Greece with Age of Content on 23 and 24 January 2027. One of Europe’s most talked-about choreographic collectives, behind Rosalía’s Lux Tour and Madonna’s Celebration Tour, brings to Stegi a dance shaped by the intensity, imagery and speed of the digital age. Sixteen dancers move through an alternative metaverse, somewhere between an aircraft hangar and a nightclub. A real car bursts onto the stage as if it had escaped from the universe of Grand Theft Auto. This is a dance metaverse that is poetic, political and post-punk, filled with references to club culture, video games, Instagram filters, TikTok, jumpstyle and the stunts of action films.
For the 14th year, Onassis Dance Days (3–7 February 2027) returns, inviting us to look at one another anew. The body becomes a mirror, reflecting back our endurance, desires, fears and everything we have yet to discover about ourselves.
At the heart of Onassis Dance Days (ODD) 2027 is Landless, the first joint creation by Christos Papadopoulos and Giorgos Kotsifakis. The two internationally acclaimed Greek artists approach the body as an uncharted territory, with oceans, cliffs, hidden passages and places that appear only when someone else looks at them.
From its world premiere in Lugano to its journey across major European stages, Landless, a Stegi co-production, has received international critical acclaim, described by the press as “a human architecture in motion” and a choreography in which “every micro-movement becomes a poetic act and revelation.”
This year’s ODD programme also features works that emerged from the research of two Onassis AiR Fellows from last year. In EchoChamber, Christiana Kosiari transforms the stage into a space of confession, where a personal diary meets digital dystopia in an existential stand-up dramedy. With The Rashomon Effect, Konstantinos Papanikolaou examines how our perception of a work is shaped. The same choreographic solo is performed twice, with the narrative changing each time and accompanied by different observers.
The festival’s full programme will be unveiled gradually.
Music
The Borderline Festival returns on 9 October, in a special one-day edition featuring three stages at Onassis Ready and an explosive lineup: Ricardo Villalobos, in collaboration with ReSolute (NYC), Nightmares on Wax, Yasmine Hamdan, Σtella, alongside Alexander Skancke, DJ-HOTLINE 333, Everlyn, George Rallis, Anna Vs June & Jan Van Angelopoulos, MIRA新伝統 and baggymilziade.
For the fourth year, Stegi’s web radio takes over the entire building for two nights dedicated to exploring contemporary electronic music. STEGI.RADIO Takeover (19 & 20 February 2027) invites Athens audiences to discover emerging DJs and musicians from Greece and abroad, internationally acclaimed artists, and the hybrid forms of contemporary electronic dance music. From -1 to the Main Stage, and from the Small Stage to the listening room on +3, STEGI.RADIO Takeover 2027 transforms Stegi into a musical playground of new and unexpected experiences, inviting us to dance exactly as we feel.
On 20 March 2027, Stegi becomes the setting for a contemporary musical ritual. Hypnotic sounds, psychedelia, improvisation and voices come together in an experience that is meant to be felt rather than explained, with Speaking with Spirits presenting jazz as ritual. Contemporary voices from the scene enter into dialogue with the spirits of the past, bringing together avant-garde experimentation, poetry and the ghosts of jazz. Shabaka Hutchings and Irreversible Entanglements, featuring Moor Mother, take the stage.
Cinema
Onassis Culture supports established filmmakers and emerging talent through script development and the production of short and feature-length films, collaborating with major institutions and strengthening Greek cinema. As part of the Athens International Film Festival Opening Nights, the Greek premiere of Do You Love Me by Lana Daher—this year’s Onassis AiR resident—will take place at Stegi on 2 October 2026.
The programme will also feature Onassis Culture co-productions including Sacrifice by Romain Gavras (3 October 2026), his first English-language film, featuring an all-star cast and filmed in Greece; The Public Private House: 9 Turns for Athens by Tasos Langis (1 December 2026); and Swell by Alexandros Voulgaris (7 December 2026). In 2027, Stegi will present the internationally touring co-productions Titanic Ocean by Konstantina Kotzamani and FROM INSIDE OUT – The Architecture of Peter Zumthor by Wim Wenders.
In collaboration with the Athens Palestine Film Festival and ArteKino Festival, Stegi hosts screenings selected from their programmes, opening up a dialogue with major international film festivals. For the fourth year, Onassis AiR joins forces with the Athens Palestine Film Festival (29–31 October 2026), once again creating space for Palestinian stories that continue to demand to be heard. This year, the festival moves from the Onassis AiR premises to Stegi, with a programme curated by the festival’s director and Onassis AiR Fellow Carol Sansour and her team.
Across the three-day programme of screenings, discussions and performances, the Small Stage will host A Sunken Tale of Losses Delayed by Larissa Sansour and Søren Lind, You Come from Far Away by Amal Ramsis, and Chronicle of a Disappearance by Elia Suleiman, presented as part of the closing ceremony.
At the ArteKino Festival 2026 (20–22 November 2026), the European film festival of Franco-German cultural channel ARTE ZDF, with screenings taking place in cities across Europe as well as online via arte.tv and the ARTE Cinéma YouTube channel, three films will be presented at Stegi’s Small Stage in the presence of their filmmakers: L’Été l’éternité (Our Eternal Summer) by Emilie Aussel, Si nous habitons un éclair (If We Live Inside a Flash of Lightning) by Louise Chevillote, and Una película de miedo (A Horror Movie) by Sergio Oksman.
Stegi is also presenting its own film series, The Vampires (21–23 January 2027). The Small Stage goes dark and lets the vampires in, embarking on a cinematic hunt for one of pop culture’s most seductive, enduring and shadowy myths. The programme brings together classic bloodsuckers in Vampyr by Carl Theodor Dreyer, Dracula by Francis Ford Coppola and Cronos by Guillermo del Toro; explores vampire love through Only Lovers Left Alive by Jim Jarmusch, Thirst by Park Chan-wook and Let the Right One In by Tomas Alfredson; and encounters the female incarnation of the myth in Irma Vep by Olivier Assayas and A Girl Walks Home Alone at Night by Ana Lily Amirpour.
Naturally, for another year, Onassis Culture continues to support Greek filmmaking through the production and co-production of new works. Its upcoming productions include 4pm to 5pm by Giorgos Teltzidis and The Last Days of My Father by Aristotelis Maragkos. Meanwhile, Onassis Foundation co-productions in development include Oh, How Fun! by Argyris Papadimitropoulos, Public Figure by Fokion Bogris, A Thousand Days, A Thousand Nights by Syllas Tzoumerkas, as well as the documentaries Mary by Dominikos Ignatiadis and You Talk to Me, Little Girl by Evangelia Kranioti.
Onassis Culture embraces the processes of creation, research and artistic development through its fellowship programmes. It collaborates with major institutions including the Hellenic Film Academy, the Thessaloniki International Film Festival, the Drama International Short Film Festival and Opening Nights, while also establishing the Onassis Film Awards to support Greek cinema both in Greece and internationally. Through Open Call Big Short Films, it invites Greek filmmakers to submit short films.
Stegi also organises film retrospectives that invite audiences to look at classic films through a new lens, alongside screenings of award-winning short films on the Onassis Channel on YouTube, making independent productions accessible to everyone.
Conversations
British fashion designer Bella Freud, whose podcast Fashion Neurosis places fashion on the couch with a knowing nod to her famous great-grandfather, Sigmund Freud, comes to Stegi on 15 December 2026 to talk about cinema, style and everything our clothes reveal about us.
“Can you tell me what you’re wearing today?” For Bella Freud, this simple question can act as a prism through which almost any conversation can unfold. Her work extends from fashion and interior design to fragrance, cinema and publishing, creating a universe of obsessions and personal stories in which what we feel and what we believe are revealed through what we wear. At Stegi, Bella Freud reminds us that what we wear speaks before we do.
On 16 January 2027, Gillian Anderson takes part in a wide-ranging conversation about creative risks, the choices that have shaped her career and the subjects that occupy her today—from her public presence to her work as an author, including Want: Sexual Fantasies by Anonymous and More.
For millions of viewers, she will always be Dana Scully from The X-Files. Gillian Anderson, however, made sure from an early stage that she would not remain defined by a single role. She went on to become Stella Gibson in The Fall, Margaret Thatcher in The Crown, Jean Milburn in Sex Education, Eleanor Roosevelt in The First Lady and Emily Maitlis in Scoop. Away from the screen, she has spoken openly about mental health, humanitarian issues and women’s rights. In her writing, female experience, identity, relationships and sexuality take centre stage without euphemism or evasion.
On Stegi’s Main Stage, Gillian Anderson speaks in her own voice. The conversation begins with a career marked by unexpected turns and opens out onto the questions that occupy her today. Alongside it, Stegi presents a film retrospective celebrating the breadth of her career.
On 11 February 2027, internationally renowned philosopher, psychoanalyst and intellectual Slavoj Žižek comes to Stegi for a conversation from which no one quite knows what to expect. Žižek is not known for entering a room simply to confirm what you already believe. Drawing on Hegel, Lacan and Marx, his work explores the contradictions that shape politics, ideology and desire. He has made a distinctive art of bringing theory into the public sphere without reducing its complexity.
“Humanity is doing fine, but 99% of people are boring idiots.” This is Žižek: disarming, excessive, funny, provocative, always ready to unsettle our certainties.
Masterclasses
Some of the most compelling creators of our time come to Stegi to talk about everything that remains unseen in the finished work. Ideas, methods, risks, dead ends and creative obsessions from the worlds of theatre, cinema, dance, music and visual art.
The series opens with Romain Gavras (4 October 2026), cinema’s enfant terrible, for a conversation about working with iconic actors, his experiences on set and the punk energy that runs through his filmography. He is followed by Łukasz Twarkowski (17 October 2026), who presents, for the first time in Greece, the workshop behind his radical stage language and the ways in which he brings together theatre, cinema and new technologies.
In November, three emerging European filmmakers—Louise Chevillotte, Sergio Oksman and Emilie Aussel—share the intense emotions of making their first feature films, as part of the ArteKino Festival in Athens (20–22 November 2026).
The new year begins with A Study in Black, the masterclass by visual artist and calligrapher Maria Genitsariou (17 January 2027), just ahead of Blue Monday, the day widely regarded as the most melancholic of the year. Inks, pigments, brushes and papers from Europe and Japan become the tools of a masterclass exploring the qualities, textures and shades of black, revealing that there is never just one.
From February to May, further masterclasses, workshops, inspirational talks and other parallel events follow, featuring artists from the season’s programme.
Onassis AiR
Seven years, more than 250 Fellows from over 50 countries and more than 2,400 applications. The Onassis Foundation’s artistic research and residency programme enters its eighth season, continuing to evolve by bringing together creators from different geographies, fields and artistic practices.
Onassis AiR gives artists and arts professionals time, space and freedom to experiment, working at the point where everything is still taking shape. Here, the creative process matters more than the final outcome, experimentation is part of the work, and the programme becomes a meeting point with the wider Onassis Culture ecosystem.
For the 2026–27 season, the programme places an even greater emphasis on material-led practices and applied arts. Onassis Ready becomes a testing ground and workspace for larger-scale productions, as well as practices moving between fashion, design, sculpture, advanced technologies and material research.
At the same time, new collaborations with the Cavafy Archive, European networks such as the European Media Art Platform (EMAP) Extended, and international institutions expand the programme’s possibilities. New interlocutors, new paths and new fields of research; questions without ready-made answers and processes that remain in motion.
The 51 Onassis AiR Fellows participating in the 2026–27 programme are: Hiba Ali, Lola Arias, Ileana Arnaoutou & Ismini King, Joseph Arzoumanov, Dhruv Bandil, Alexandros Vasmoulakis, Eugenia Vereli, Lemonia Gianniri & Vasilis Vilaras, Giorgos Vourdamis & Rosa Prodromou, Kostis Glykantzis, Elina Crespi, Studio Nergens (Celine Daemen & Aron Fels), Lana Daher, Stefanos Drousiotis, Ben Frost, Danae Iο, Ti Jácome, Kayije Kagame & Hugo Radi, Pedro Huet, Xenia Kalantzi, Xenia Kogchylaki, Katerina Komianou, Vittoria Kotsalou & Stefanos Lentzis, Teresa Kovacs, Saskia Lenaerts, Dimitris Matsoukas, Electra Babiha-Ninou, Ourania Bobori, Sangmin Oh, Nicole Oikonomidou, Mariano Pensotti, Adrian Pepe, Markellos Polydorou, Guadalupe Salgado, Constantine Skourlis, Mari Spanoudaki, Dimitris Tampakis, Ioanna Tsoukala, Àlex Vicente, Ben Vickers, Yodea Marquel Williams, Martina Yordanova, Despina Charitonidi, Zoe Chatziantoniou, Mimi Xu.
The Onassis AiR Open Days are the programme’s public events: two-day gatherings dedicated to artistic research and creative experimentation, taking place three times a year at the residency spaces and inviting audiences to discover the works in progress of the new Onassis AiR Fellows. They have become an established meeting point for Athens’ artistic community and return this year following record attendance last season, when the three Open Days welcomed more than 1,800 visitors.
This year, they will take place on 27–28 November 2026, 9–10 April 2027 and 25–26 June 2027. Through performances, multimedia installations, soundscapes, screenings and discussions, each event reflects the artistic practices and research interests of the participating artists.
Onassis ONX
The Onassis Foundation’s global platform for art and human-centred advanced technologies supports artists working across artificial intelligence, immersive media, video games and digital culture, providing funding, technological resources, specialised guidance and access to an international network of institutional partners.
In 2026, ONX expanded its global presence by relocating its flagship studio in New York and launching ONX Athens at Onassis Ready, strengthening its support for artists working at the forefront of art and advanced technologies.
Through collaborations with Lincoln Center, The Shed, Pioneer Works, NEW INC, NYU Tandon, Rhizome, The Lumen Prize, Factory International and Pérez Art Museum Miami, as well as European networks such as EMAP Extended, ONX connects a community of more than 120 members and Fellows across 21 cities and 13 countries. This season, ONX further expands its international presence through participation in major festivals and landmark digital-art institutions worldwide, including Venice Immersive, Ars Electronica, IDFA, CPH and Under the Radar.
From 20 to 26 November 2026, Onassis Ready hosts CIRCLE Expanded Orbit × Onassis ONX, an international professional-development programme for women and gender-diverse people creating in the fields of immersive media, augmented reality, artificial intelligence, video games and interactive storytelling. On 21 November, an open event brings talks and project presentations from the global ONX and Stegi community.
The immersive-art exhibition ONX.Exhibition.Athens.2027 returns to Onassis Ready from 17–21 March 2027, presenting works from Athens and New York alongside major international initiatives including EMAP, The Lumen Prize x Onassis ONX Award and ONX Seeds. The exhibition proposes new ways of understanding immersive art while presenting some of the most forward-looking work at the intersection of art and technology today.
The ONX Summer School 2027: Innovation, Tech & Culture (23 June–5 July 2027) returns for its fourth consecutive year, bringing together artists, technologists and entrepreneurs in an intensive professional-development programme co-organised by Onassis ONX, Athens University of Economics and Business and NYU Tandon School of Engineering, with workshops, lectures and collaborative projects led by internationally recognised professionals.
Beyond Stegi
Yet, once again, the programme extends far beyond Stegi—beyond the city and beyond the country—activating and strengthening collaborations and creative processes.
Since 2011, more than 110 Stegi theatre, dance and music productions and co-productions have given over 1,100 performances in 72 countries and 220 cities. In the past year alone, 26 Stegi productions travelled to 25 countries and 47 cities, appearing at 59 festivals and organisations around the world.
For the 2026–27 season, the Onassis Stegi Touring Programme expands its network, building new partnerships with major cultural institutions and supporting Greek artists by giving their work opportunities to encounter new audiences and evolve. International recognition is among the most visible markers of this journey. In 2026, Mario Banushi was awarded the Silver Lion for Lifetime Achievement at the Venice Biennale Theatre, while Chara Kotsali is nominated for the Bloom Prize 2027.
While Christos Papadopoulos, Mario Banushi, Chara Kotsali and many others travel to destinations around the world with their productions, in October 2026 the Sirenos Festival in Vilnius turns its focus to Greece. As part of its Greek Focus, it presents MAMI by Mario Banushi, IT’S THE END OF THE AMUSEMENT PHASE by Chara Kotsali and The House by Dimitris Karantzas.
With the aim of supporting and promoting Greece’s independent performing-arts scene, the Onassis Stegi Touring Programme is further developing its relationships with festivals this year, creating pathways for more artists to leave their mark on the international stage and travel further afield. As part of this strategy, the Touring Programme is extending its support to productions from the independent Greek scene, which often lack access to international networks, resources and platforms.
With this step, the programme embraces the wider ecosystem of contemporary Greek creation, with the hope that the road to international festivals will open for even more artists and works ready to make their mark on the European and international stage.
Stegi also continues to connect with major international institutions and participate actively in international networks dedicated to the exchange of ideas and artistic practices, encouraging creativity and innovation across the cultural sector. Since 2011, Stegi has collaborated with more than 180 organisations in 35 countries. Today, it participates in six active European programmes, connecting more than 50 organisations across 20 countries and investing in creativity, new voices and new ways of imagining what we can create together.
Behind these numbers are communities of artists, curators, researchers and cultural organisations exchanging knowledge, testing new practices and seeking different forms of collaboration. Through its sustained presence within European networks, Stegi contributes to a wider dialogue around the conditions of artistic creation, accessibility, mobility and equal representation.
In DRIFT, the experience of choreographers and dancers becomes the starting point for new ways of supporting their artistic careers. In Europe Beyond Access, accessibility is an integral part of the creative process. In PROSPERO NEW, theatre organisations from across Europe share stages, experiences and knowledge, while EMAP brings art into dialogue with technology and science, opening new fields of experimentation. The Transnational Music Lab creates communities around underrepresented musical voices, while 25AV gives emerging sound and image artists the opportunity to develop and present their work in an international environment.
Digital
And, of course, the journey also extends into the digital world.
Tune in to Stegi’s internet radio, STEGI.RADIO, broadcasting 24 hours a day, seven days a week. With more than 200 producers, a continuous 24-hour programme, three curated channels, recorded sets on YouTube and an archive of more than 10,000 broadcasts, it is much more than a radio station.
Always rooted in Athens, it curates Stegi’s musical events while extending into the city through events, talks and workshops. At the same time, it continues its exploration of the musical and cultural currents of the Mediterranean, crossing an imagined archipelago beyond geography and chronology.
Tune in, too, to the Onassis Channel for masterclasses, conversations and screenings. Award-winning films from last year’s Athens International Film Festival Opening Nights and the Drama International Short Film Festival will be screened on the Onassis Channel.
Accessibility
At Stegi, accessibility is part of the cultural experience itself: an open, plural space where every body and every voice has room. We consistently support the artistic expression of people with disabilities and work towards an equitable experience for everyone, continually broadening who takes the stage, who tells their stories and who participates in shaping the cultural landscape.
For the 2026–27 season, Robert Icke’s Oedipus, Giannis Niarros’ 2B – Abduction and Observation and Nikos Karathanos’ Epic are being designed with accessibility in mind, featuring surtitles, audio description, sign-language interpretation and tactile tours.
At the same time, we continue to support artists with disabilities, creating more opportunities for training, networking and international exposure through workshops and residencies, as well as through the European Europe Beyond Access programme, in which Stegi has been actively involved since 2018.
Equal access to culture is not a privilege; it is a right.
Onassis Publications & Shops
Also significant is the Onassis Publications series, featuring distinctive book titles available at selected bookshops, as well as at the Onassis Shops at Stegi and Onassis Ready. The shops offer reference publications alongside clever and useful memorabilia from Stegi productions, vinyl records, CDs and objects that nod to pop art, beauty and humour.
The new season at Stegi is not simply a series of performances, concerts, screenings, exhibitions and conversations. It is a space where artists, ideas, bodies, voices, images and technologies meet.
Whatever you feel, you’ll find it at Stegi.
